Analysis of the categories and forms of new media (interface, database, navigable space, etc.);
the development of new concepts for new media theory: cultural interface, database narrative,
spatial montage, meta-media, macrocinema, software theory, info-aesthetics:

Generation Flash, 2002
Models of Authorship in New Media, 2002
The Poetics of Augmented Space, 2002
New Media from Borges to HTML, 2001 | IMAGES
Post-media Aesthetics, 2001
Macro-media and Micro-media, 2000
Avant-garde as Software, 1999
New Media: a User's Guide, 1999
Digital Constructivism: What is European Software? (an exchange with Geert Lovink), 1998
Database as a Symbolic Form, 1998
Navigable Space, 1998
Cinema as a Cultural Interface, 1997
Jump Over Proust, 1997
On Totalitarian Interactivity, 1996
The Aesthetics of Virtual Worlds: Report from Los Angeles, 1996
To Lie and to Act: Potemkin's Villages, Cinema and Telepresence, 1995
Cinema and Telecommunication / Distance and Aura, 1996
Archeology of a Computer Screen, 1995

The impact of computerization on older visual media and on visual culture:

Reality Media, 2001
What is Digital Cinema?, 1995
Cinema and Digital Media, 1995
Paradoxes of Digital Photography, 1994
Assembling Reality: Myths of Computer Graphics, 1992 

Criticism of new media art:

Review of Stars Wars: Episode 1, 1999
Cinema by Numbers, 1999
The Camera and the World: the Art of Tamás Waliczky, 1998 
Behind the Screen / Russian New Media, 1997
Reading New Media Art, 1995

History of modern visual culture amd new imaging technologies (1991-1994):

Automation of Sight from Photography to Computer Vision
The Mapping of Space: Perspective, Radar and 3-D Computer Graphics
The Labor of Perception
From the Externalization of the Psyche to the Implantation of Technology
The Engineering of Vision and the Aesthetics of Computer Art